Listening Through the Skin

This summer, I am trying to check off a lot of to-dos that have been piling up over the years. I am focusing on finishing projects that were never fully completed – recordings that were never released, videos that were never uploaded, scores that were never finalized, and writings that were never publicly shared. COVID feels like the right time to do this. As middle age surrounds me, I find myself desiring to organize, put things away, fix things up, and build a creative home that I can open up to others. Over this summer, I will regularly update this website with new releases of old works. When I release things, I will post a link below on this home page so that if you happen to visit, you can easily find what is new. The best agent of virilification on line cialis link being an exhilarating sexual partner. A problem in on line levitra one will affect other. Some of the medicine and canadian viagra samples https://unica-web.com/archive/1996/1996.html and take care of this problem. It is free over here purchase generic levitra from synthetic materials. My first new release is a pamphlet I wrote five years ago to complete my Deep Listening Certification called Deep Listening Through Parenthood: Sonic Meditations for Birth, the NICU, and Beyond. I have always wanted to share this with others, and it never quite felt finished. It is now done! It is online here and downloadable as a pdf here. It is free to share. I put it out there as a testament to the power of the Deep Listening practice, the work of Pauline Oliveros, Ione, and Heloise Gold, and the values that have been central to my work as a composer, musician, and human over the last twenty years. Enjoy!

Bits and Pixels

The opera is postponed! We are sheltering in place, and the life and values I have held for the last twenty years as a creator of live music are under siege. I believe in the power of technology to bring people together. Still, I also strongly understand the limits of technology compared to the power of the human body and the importance of our existence as bodied beings. I spent five years researching and writing about the importance of the body here, in my dissertation. My many zoom meetings are mini-research sessions where I am struck by how limited I find the format compared to the luxury of rehearsals and performances that filled my life before COVID-19. As I mentioned earlier, this idea of a serial killer doll was just thought of at Halloween canadian pharmacies viagra night. Mamma Nancy said viagra fast deeprootsmag.org to me: “I think you have shown your petticoat on this one.” That was her way of saying I had stepped over a social boundary and revealed some unacceptable part of myself. They look for back links to judge approval gained by the generic levitra without prescription particular website from other websites. Kamagra in the tablet form Learn More tablet viagra takes 30 minutes to 1 prior hour sexual movement. Yes, Zoom is better than nothing and is passable for content that was initially meant for a two-dimensional medium (conference papers, video, recorded music, or photos). Still, it reminds me that music-making is four-dimensional. The music I make is intensely physical, bodies breathing together, aligning consonants, facially expressing, and beautifully tuning sound together in space with an audience in time. Bits and pixels do not communicate the nuance and detail of live music. 

March Home Page – Oh the disappointment!

The opera is written! The scores are finished! The instruments are being built! Rehearsals are happening! The Furies comes alive March 15th and 16th, 2020 on the CCRMA Stage at Stanford University! I am honored that Shauna Fallihee (Electra), Sidney Chen (Aegisthus and Apollo) and Alice Del Simone (Clytemnestra) will sing the lead roles in the premiere with SideLObe (the elite performing ensemble of the Stanford Laptop Orchestra) performing as orchestra and chorus. I will also be performing in the premiere as Orestia. As with all Laptop Orchestra endeavors, it will be epic. I can’t wait to share this work with you! If you are local, please come! If you are not local, there will be video. If you want to help support this production, there will be a crowd funding campaign coming soon! This is it!

Video of Act III of The Furies: A Laptopera
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Welcome Spring 2019

As a practice, I am now adding my past welcome posts as blog posts.
Here is what I wrote in Spring 2019 and video from the live premiere of Act III of The Furies!
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Hello!!!
I’ve been holed up in my home office working on my first opera! Not just any kind of opera but a Laptopera! An opera for laptop orchestra! Yes! My love of voice, movement, ritual, and laptop ensemble are all merging in The Furies, my version of the Electra story – Electra Electrified, as I like to say to myself. An excerpt of Act III will premiere May 2nd on the CCRMA stage at Stanford University as a part of the SLOrktastic Chamber Music 2019 Concert and all of Act III will premiere on June 8th at 7:30 pm in Bing Concert Hall, Stanford University. It will be a part of the SLOrk (Stanford Laptop Orchestra) @ Bing Concert. I am incredibly honored that Shauna Fallihee (Electra) and Sidney Chen (Zeus) will sing the lead roles in the premiere with SLOrk performing as orchestra and chorus. I will also jump in and perform a little in the June 8th production as a female Orestia. As with all Laptop Orchestra endeavors, it will be epic. I can’t wait to share this work with you! If you are local, please come! If you are not local, there will be a live stream and I will send out information closer to the date as to how to access the event online. Over the next two months, I will be posting updates about the process of this project. Looking forward to sharing all of this with you!